New Site Design


A Redesigned Website with a New Purpose

I thought it was time to bring my author website into the 21st Century. I’m still tinkering with it but at least I have it ported over to Squarespace where I can do a lot more customization. As I have mentioned too many times to count in other posts and tweets, staying the course with writing is hard for me. I write something and then start the next thing and then I stop. A half-written, wonderful story, just sitting there waiting to be finished. I have a dozen or more of those and it makes me sick.

I’m going to have to approach this as a full-time job. Not out of excitement or joy or anything, but rather, a commitment to just sit down and write at a specified time. I have a leg up because I know that inspiration doesn’t strike you always before you write, but mostly during the act of writing itself. The work is the thing. So get to it David!


The Tempest Guild is for sale on Amazon

I am very proud that The Tempest Guild has been published on Amazon. Through all the starts and stops, time off, rereads, redos, edits, second-guessing, et al., I can't believe it actually happened. I want to mention again those I thanked in the Acknowledgements of the book who helped me along the way in reaching such a milestone and accomplishing one of my dreams. First and foremost my wife and two lovely daughters. Without their support and guidance, I would never have had the courage to finish. Next, my editors, Nichole Strauss and Jessica Nelson. Their recommendations and proofreading comments improved the book immensely. My two beta readers, Noelle DeLaney and Jennifer Lane gave valuable story feedback early on in the process. The wonderful fantasy map was designed by Hiru from MysticMapz. And last, but not least, the cover art was a dual affair between Avery Mullin and Adam Isailovic.

If your interested in reading a quick-paced, easy read, here's the jacket blurb:The fragile peace in Talam is disintegrating. The northern ice pack is melting and the king of Sinistra plots to take advantage of the calamity to start a conflict.Oblivious to the looming natural disaster and a coming war, street urchin Phaedra lives in the underbelly of the capital city. She has a unique and powerful ability, but she is too frightened to use it. Shunned by society, she longs to fit in. When two factions in the underworld clash, Phaedra is caught in the middle. Forced to defend her life, she finally unleashes her power with deadly consequences.With Talam on the brink of doom, Phaedra is thrust into a conflict she doesn't understand. She must flee the city in possession of a plant that could change the course of history, but she can't do it alone.With her antagonistic band in tow, Phaedra must find a way to escape Sinistra with hundreds of thousands of lives hanging in the balance. 


The Tempest Guild Cover Reveal

I've had the cover for The Tempest Guild done for a while now but since I just sent the manuscript in for a final proofread, I thought I'd reveal the cover. My daughter Avery is quite the artist so I commissioned her to give it a go. She came up with the initial look and feel of the illustration but she and I both felt that it needed more of a professional touch to make it more realistic. So we commissioned Adam Isailovic to take what Avery started and give it a more thorough polish. Once I approved the illustration, I worked on the cover layout myself using Derek Murphy's Creativeindie as a guide. I think it turned out pretty good. I think Derek's best advice is that you don't want your cover to be so original that it doesn't fit into the genre people are looking for. If it's too far out of the "norm" for that genre, people will actually be put off by it instead of flocking to it because it's so "original."Anyways, without further ado, here's the cover for The Tempest Guild:


Yet Another Hiatus

As I've mentioned in a few posts before, I have trouble keeping my head in the game when it comes to writing (or photography or screenwriting for that matter). I enjoy dipping my creative toes in several different spaces but that will only work for me if I stick to it on a regular schedule. I can certainly run a photography business at the same time I write books. So why can't I seem to do it? It's like when one interest wanes and another takes over, I have to stay in that silo totally committed.

I am now working on staying in several different silos but each on equal footing. Am I making any sense? I don't know. All I know is that I have lots of good stories in me and they deserve to be shared. If it's just with my friends and family, then so be it. But getting them out into the world is what counts. And who knows, perhaps I'll pick up a few random readers along the way and they'll like my stories.

So I just finished up the fourth draft of my novel (according to WorldCon, anything over 40K words is a novel and mine is about at 43K now). I incorporated the developmental/proofing edits from a wonderful editor named Nichole Strauss. Now I'm going to print it out and give it another read/edit before sending it off to another editor for a final proofread. I hope to publish it by the start of Summer or a little after.

Once I have sent it off to the proofreader, I will disclose the cover for my book and then maybe even the map I had made for it. I think part of the reason why I stopped editing in the middle of the fourth draft was that of the writer's best friend: fear. It's one thing to get the book close to completion, have a cover set to go, but actually putting it out there is a whole different story and one filled with peril. But it's time for the final push and I'm up to the task.


And The Title Is...

I have finally come up with the title of my adult fantasy novella. Well, actually, I came up with it a couple of weeks ago but today I'm announcing it to the world. Drum roll, please...THE TEMPEST GUILD.

One of the unforeseen things about writing and self-publishing a novel is all the stuff that goes into it that has nothing to do with writing the book itself. Coming up with a title, designing a book cover–and most importantly–writing the blurb. I could have written a whole other novel with the time it's taken to work on these other book-related tasks. But then again, that's what this is all about, right? A learning experience.

For those wondering how to come up with a title, here's what I did: I came up with a couple of theme words that pertained to my novel and then I opened up Thesaurus.com and kept digging around for words that fit what I was looking for. I would write them down, one at a time, as I found ones that may work. Then it was just a matter of putting them together and seeing which ones worked together the best. I'm not sure that process will work with all my titles, but it sure did the trick this time (at least I think so). And, how many more times can I fit the word "work" into this paragraph? Oh, and I changed the series name from "The Chronicles of Talam" to "The Talam Chronicles." I think the latter sounds more powerful and action-oriented.


Blurb is the Word

So for that past two weeks, I've been working on the blurb for my fantasy novella. In all seriousness, I think it's harder than writing the book itself. Having to whittle down the plot and four POV characters to just 150 words is a nightmare, but boy is it a great exercise. I've learned more about my characters and the plot of the story than I have done while outlining and writing three drafts. The blurb process forces so much clarity of character and story that I realized that it's the first thing I should write before attempting the first draft.

A big help structuring the outline came via Libbie Hawker's book "Gotta Read It: Five Simple Steps to a Fiction Pitch that Sells." In her book, Hawker describes how a blurb should be structured using five simple, yet important, questions about your novel: 1. Who is your main character? 2. What does she want? 3. What stands in her way? 4. What will she do, or what must she do, to achieve her goal?5. What is at stake if she fails?

What I did was answer these five questions for each character and then I wrote a paragraph for each laying out the structure above. With four POV characters, obviously using four such paragraphs would be way too long, not to mention there would be no room to mention the plot. But it gave me a clarity of each character's predicament and how they relate to the plot for me to go ahead and take a stab at the blurb itself. I ended up with one that was 365 words in length. Way too long for a blurb, which really should be no longer than 100-150 words.

It was in the cutting down from 365 to 150 that I found the holes in my book's plot as well as what was missing from my character's arcs. A negative consequence was that when all was said and done, my 150-word blurb resembled the plot of A Song of Ice and Fire. This happened because I chose to focus on the plot instead of the characters and their stories. So back to the drawing board I go. Oh, and a word to the wise. These blurbs are perhaps the most important part of marketing your book. In addition to a nice cover, the blurb is what's going to sell the book, so you should take lots of time, do many revisions, and get lots of feedback before deciding it is complete.


Using BetaBooks For My Beta Readers

BetaBooks Feedback
BetaBooks Comment

A few weeks ago I sent out a request for Beta Readers on the Facebook group I belong to and received a few replies from people who were interested in reading my WIP. I was excited and scared at the same time, as it was the first time putting my fantasy story out into the world and I didn't know how it was going to be received. I have done several Beta reads for other authors and the process usually involves sending over a pdf or a link to Google Docs. But over the summer, I had discovered a new product on the internet titled BetaBooks.

BetaBooks is a web-based app that lets you break your WIP up into chapters, create specific feedback questions for those chapters, and then send invites to potential Beta Readers. Once they accept the invitation, the Beta Reader can read as many or as few chapters as they desire. And after each chapter, there's a box with the author's feedback questions and a box for the reader to submit their questions/feedback. As an author, you can receive emails whenever a reader leaves feedback for one of your chapters. And the cool thing about the feedback is that there is a drop-down menu that lets you organize each piece of feedback and let you decide if it's a piece of advice you want to act on or just read it and move on. I have found that feedback mechanism quite useful as I go back and edit my novel.

While I have Scrivener open with my novel, I keep the feedback page in BetaBooks open in a browser so that I can make sure I incorporate that feedback into the next draft of my novel. Once I'm satisfied that I have covered the feedback, I mark it as "Done," refresh my browser, and the next chapter's feedback moves to the top of the list. Once all the feedback has been marked Done, I know that I have covered all the feedback from my Beta Readers. As this is my first time through the Beta Reader process, I have nothing else to compare it against. I do know that when I read someone else's WIP in Google Docs, I make extensive use of the comment feature and then I have to send a separate email with my overall concluding feedback. With BetaBooks, the reader cannot make inline comments as of this writing, but the end of chapter feedback, and having it tailored to my specific questions, makes organizing reader comments a breeze.If your novel is ready for the Beta Reading process, I highly suggest giving BetaBooks a try. Their free version allows you to invite up to 3 Beta Readers and have one book available at a time. If you have multiple books or want more than three readers, you can subscribe to the service for $14.99/month. The cost is well worth it, IMHO. I can't imagine doing the Beta Reading process any other way.


And Now, The Editing Phase

I finished the first draft of The Chronicles of Talam - Book 1 at the end of July. I had set an aggressive 15-day goal to write and finish a 40,000-word novella before leaving on a family vacation as I wrote about before. During the month of August, as I took a hiatus from writing and let my first draft marinate for a while, I took up drawing. It was something I've always loved to do but never quite continued with it long enough to get proficient at it (sounds familiar to any number of my life's pursuits). I had to stop, though, as I developed Trigger Thumb from overuse (think carpal tunnel for the thumb).

At the beginning of September, I printed out my first draft, grabbed a yellow notepad, and sat down and read through my first draft. I found myself not editing much in terms of large-scale plot or character points and that worried me. This was the first draft, after all. It's supposed to be messy and need lots of cleanup. What's wrong with me? Do I think too highly of myself and my writing? I don't think so. For one thing, this is the fourth attempt at this particular story so I think I have the characters and the plot down rather solidly. It's as if I had outlined the entire thing multiple times. I also tend to like what I write and that's a problem. This is why I recently just finished reading the rest of the first draft and I am now in the editing stage. So far, it seems to be going rather swiftly. I think the fact that its a novella has something to do with that as well. 40K words is not a long book and it seems quite manageable from an editing perspective. Of course, the real test will be the feedback I receive from Beta Readers and a few trusted friends and family to see just how close or far I am to a completed story. If anyone is interested in being a Beta Reader, contact me and I will add you to the list.


Outline Your Novel Using a Floating Outline


As I've written a few times before, I'm a pantser who struggles with outlining. I've tried using beats from the famous screenwriting novel "Save the Cat." I tried Libbie Hawker's method from her book "Take Off Your Pants." I've written a detailed synopsis and tried to extract a story from it with no luck. Why, if I'm a pantser, don't I just write like a pantser?

In the ebook self-publishing world, volume of output matters and is a great harbinger on your chance of success. To be as prolific as I plan to be–put out a new book every 3-4 months–I'm going to need to write a shit ton of books in a short amount of time, and when you write pantser style, the rewriting process can take up to three times as long as the original first draft. I have no time for that. So what have I settled upon as my outlining method of choice? It's something I stumbled upon while watching one of Brandon Sanderson's lecture videos and it's called a Floating Outline. I'm not sure if I understood his process one hundred percent correctly, but the takeaway was more than enough to get me started and put my own little twist on things. Who knows, maybe I got it exactly right and am doing it just like Brandon?

In the larger view of things, I adopted Brandon's approach: he outlines his plot and story but he discovers his characters as he writes. So he's kind of a mix between a plotter and a pantser. He plans out his story in detail and then he goes to work outlining using the Floating Outline approach. Basically, he has a notebook full of "awesome" scenarios or scenes that he wants to happen in his book. I have come to call them "Plot Awesomes" (as I think about it, I think Story Awesomes would be better). The idea is to write out an awesome scene you want to happen in your book, say, the two lovers finally share a kiss. So that would be the header of that particular Plot Awesome. Underneath that, you start adding bullet points in backward order that would lead to your awesome scene. Let's take a look at an example:

A & B Finally Kiss

A saves B's life

B tells A to get out of B's life

A and B end up in same location

A ...

Those are just some quick and dirty examples off the top of my head. I would finish that list and then move onto the next Plot Awesome. Usually I'll have a minimum of 4 Awesomes I want to happen. One is usually romantic in nature, the other serves the over arching plot, and then the rest are things that round out the story. I will then go back and edit them to make them a bit less general and more specific. So at the end, the idea is you have an awesome climax scene and the pieces it will take to get there. As Brandon says, he outlines backward but writes forward.

Using Scrivener, I then start creating Chapter folders and inserting at least one bullet point (starting from the bottom up), sometimes more, in each chapter. What's cool is that they can be combined so that you are advancing two or more different Awesome plot points in the same chapter without it feeling forced. I then cross out the bullet points as I use them and create another Chapter folder and use one or more bullet points, cross it off, repeat. By the end of the outlining process, I have my entire book outlined and the several different plot points/story lines meshed together naturally.

This was the process I used for creating the first draft of The Chronicles of Talam #1. I would say I followed my outline pretty rigidly until I got 25% into the book then I started to deviate as the story took off on ideas of its own. I still had the outline to use as a foundation but I would say that by the end of my first draft, I would say I stuck with 50% of my outline and the rest came about as I wrote. This process seemed comfortable to me and it allowed more of my creativity to come out during the writing process than if I just started out in full pantser mode.

Anyone else use a similar method to outlining their novels?